burnedshoes:

© Onésipe (or his brother Olympe) Aguado, ca. 1862, Woman Seen from the Back
This picture is at once a portrait, a fashion plate, and a jest. The elaborate chignon (obviously the handiwork of a skillful maid), the discreet jewelry, and the luxurious fabrics all indicate a woman of rank, the epitome of comme il faut. Although we may be curious to know who she is, her identity may be of less importance than the compelling sense of mystery she projects. A companion image showing the same woman in profile reveals a troubled countenance and a receding chin.

burnedshoes:

© Onésipe (or his brother Olympe) Aguado, ca. 1862, Woman Seen from the Back

This picture is at once a portrait, a fashion plate, and a jest. The elaborate chignon (obviously the handiwork of a skillful maid), the discreet jewelry, and the luxurious fabrics all indicate a woman of rank, the epitome of comme il faut. Although we may be curious to know who she is, her identity may be of less importance than the compelling sense of mystery she projects. A companion image showing the same woman in profile reveals a troubled countenance and a receding chin.

(via mudwerks)

12/28/11 at 6:06pm
34 notes
  1. olde-fashioned reblogged this from burnedshoes
  2. violettecornelius reblogged this from awesomehair
  3. awesomehair reblogged this from mudwerks
  4. thestuffofthings reblogged this from burnedshoes
  5. thewallstreet5 reblogged this from mudwerks
  6. coochie-sneeze reblogged this from mudwerks
  7. nasheq reblogged this from mudwerks
  8. whenbessattacks reblogged this from mudwerks
  9. exb reblogged this from mudwerks
  10. 4evergr33n reblogged this from m-memeng
  11. m-memeng reblogged this from mudwerks
  12. 7colors4seasons reblogged this from mudwerks
  13. theworstday reblogged this from mudwerks
  14. mudwerks reblogged this from burnedshoes
  15. burnedshoes posted this